The title of Catherine Steadman’s The Disappearing Act appealed to me. Like Maria Semple’s “Bernadette,” sometimes disappearing seems promising. But Steadman is the author of the thriller “Something in the Water,” soon to be made into a Reese Witherspoon movie, so I expected a page-turning drama. The Disappearing Act focuses on a story closer to the author’s alter ego as an actress in London, and the “gaslighting” will have you wondering who the villain really is.
After Mia’s live-in boyfriend surreptitiously dumps her, she leaves from London to Hollywood for a series of auditions, following her successful portrayal of Jane Eyre and her nomination for the prestigious BAFTA award. In the waiting room of one of these auditions she meets Emily, another actor, and the plot thickens.
Returning from putting money into the meter for Emily’s car, Mia finds Emily has left, without her wallet and car keys, and she is determined to get them back to her. A series of plot twists ensue, with the punctuation of a new love interest, a handsome and wealthy producer who meets her when she is plugging the meter. After a series of unsettling incidents – someone breaks into her apartment, her car is mysteriously sabotaged, threatening notes appear – Mia is not sure who to trust. Steadman keeps the plot moving in different directions, until finally resolving the obvious.
The Disappearing Act is a fun and quick read – just the kind of story to distract and entertain.
What I’m Reading Now:
I almost forgot I ordered the two books from Libby, the library’s email guru, but they both appeared together and both due in less than 21 days. I better get reading:
The Kitchen Front by Jennifer Ryan and The Paris Library by Janet Skeslien Charles
Any suggestions on which to start first?