Friday the 13th

I always look forward to reading the Washington Post Book Club essays by Ron Charles, but I don’t always get to it until later than posted. Today Charles explains “Paraskevidekatriaphobia, the fear of Friday the 13th.” The Urban Dictionary says once you pronounce it, you are cured.

Editor Vanessa Cronin suggests a few books to read today, including a Jack Reacher novel by Lee Child – Bad Luck and Trouble, Neil Gaiman and Terry Pratchett’s hilarious Good Omens, and the book that might have started it all – Friday the Thirteenth written in 1907 by Thomas William Lawson.

I am currently reading Mrs. March by Virginia Feito, about a New York Upper East side wealthy socialite who suspects her author husband has mimicked her (not favorably) as the main character in his latest bestseller. Although starting out as a mild narrative, it is morphing into a Patricia Highsmith type of slow-boiling thriller. In her review for the New York Times, Christine Mangan says:

“By the time we approach the end, there is little doubt as to the fate of Mrs. March. And yet the final pages are shocking nonetheless, and readers may find themselves tempted to return to the beginning in order to understand just what Feito has so convincingly managed to achieve within her accomplished debut.”

I can’t wait – seems like a good page turner for Friday the Thirteenth.

What are you reading today?

My Thrilling List

Book titles catch my eye but I really don’t have a list. I write them on little slips of paper, the backs of envelopes, at the bottom of the plumber’s list, on the paint swatches – all in a pile I keep planning to organize.

All night thrillers seem to attract me the most lately, vicariously providing satisfaction from feeling powerless over the verbal abuse by the plumber’s secretary, along with false promises and purposeful delays on a seemingly endless renovation.

A few books lately have offered some respite:

Megan Miranda’s Such A Quiet Place had the same twisting switchbacks as her earlier book The Last House Guest. This story has the neighborhood in a small college town disrupted by murder and the return of the murderer, when she is released early from prison. Speculation, gossip, and manipulative friendships twist the plot, and the idea of being a good neighbor gets a makeover.

The Turnout by Megan Abbott sets the scene in a small, old ballet studio needing a renovation after a fire caused by a space heater. With my recent experiences with a renovation, I could relate to some of the lines: “He has to finish that renovation sometime” and “Aren’t there some states, she’d heard Detective Mendoza joke to Walters, where murdering your contractor is a misdemeanor?” A creepy thriller with a twisting plot. You may never think of the Nutcracker the same again.

Finally, The 22 Murders of Madison May by Max Barry starts as a routine police procedural but quickly morphs into a strange tale of a serial killer with touches of sci-fi. This page turner follows a journalist investigating the murder of a young attractive real estate agent. Her chase leads her through time and space into parallel universes as the reporter discovers she’s not the only one who’s in pursuit of the murderer, who keeps killing the same woman in different versions of her life. The time travel keeps the pace fast, and the ending may have you wondering which version of the good life you are living. Lots of fun.

What books offer you an escape?

The Disappearing Act

The title of Catherine Steadman’s The Disappearing Act appealed to me. Like Maria Semple’s “Bernadette,” sometimes disappearing seems promising. But Steadman is the author of the thriller “Something in the Water,” soon to be made into a Reese Witherspoon movie, so I expected a page-turning drama. The Disappearing Act focuses on a story closer to the author’s alter ego as an actress in London, and the “gaslighting” will have you wondering who the villain really is.

After Mia’s live-in boyfriend surreptitiously dumps her, she leaves from London to Hollywood for a series of auditions, following her successful portrayal of Jane Eyre and her nomination for the prestigious BAFTA award. In the waiting room of one of these auditions she meets Emily, another actor, and the plot thickens.

Returning from putting money into the meter for Emily’s car, Mia finds Emily has left, without her wallet and car keys, and she is determined to get them back to her. A series of plot twists ensue, with the punctuation of a new love interest, a handsome and wealthy producer who meets her when she is plugging the meter. After a series of unsettling incidents – someone breaks into her apartment, her car is mysteriously sabotaged, threatening notes appear – Mia is not sure who to trust. Steadman keeps the plot moving in different directions, until finally resolving the obvious.

The Disappearing Act is a fun and quick read – just the kind of story to distract and entertain.

What I’m Reading Now:

I almost forgot I ordered the two books from Libby, the library’s email guru, but they both appeared together and both due in less than 21 days. I better get reading:

The Kitchen Front by Jennifer Ryan and The Paris Library by Janet Skeslien Charles

Any suggestions on which to start first?

The Plot

While some of us were wallowing in our discontent in 2020, Jean Hanff Korelitz was writing another bestseller. If you enjoyed the thrill of “The Undoing,” the HBO series based on her book “You Should Have Known,” The Plot will be no less satisfying. Perhaps you’ll figure out the true villain before the end, but getting there will still have you reeling.

Looking for his next book, after having two mediocre tomes published, Jacob Bonner hits the jackpot with a story told him by a student in his creative writing workshop. When he discovers Evan Parker has died of an overdose without finishing his book, Jacob seizes the opportunity to appropriate Evan’s narrative and write it himself. The book “Crib” is an instant success, with a movie directed by Spielberg in the offing.

While on his book tour, he has two life-changing occurrences: he meets Anna, his future wife, and he receives the first of a series of threats accusing him of plagiarism. Korelitz then begins to insert excerpts from the popular “Crib” as she continues with Jacob’s successful yet now harried life as a writer. The conceit is mesmerizing and clearly leads the reader into a series of complicated but satisfying plot twists.

As Jacob tries to confront the author of the threats to reveal his plot source, he finds himself in the middle of a family saga and another murder. Eventually, he seems to solve the mystery, but Korelitz has one last reveal at the end of her story, and it’s a good one.

Elizabeth Egan in her review for the New York Time says:

“It keeps you guessing and wondering, and also keeps you thinking: about ambition, fame and the nature of intellectual property (the analog kind). Are there a finite number of stories? Is there a statute of limitations on ownership of unused ideas? These weighty questions mingle with a love story, a mystery and a striver’s journey — three of the most satisfying flavors of fiction out there.

Jake Bonner’s insecurity, vulnerability and fear are familiar to those of us who have faced a blank screen, wondering how or whether we’ll be able to scramble letters into a story. Korelitz takes these creative hindrances and turns them into entertainment. Not only does she make it look easy, she keeps us guessing until the very end.”

A page-turner I could not put down, The Plot. Read and enjoy – just don’t give away the ending.