Gillian Flynn Responds – Gone Girl Ending

In one of the few times an author has responded to my query, Gillian Flynn wrote back about my dislike of her ending in Gone Girl

I’m sorry to hear that! I can only say I wrote the ending that was the most unsettling to me. I am a big fan of the ending of unease. To me it feels real and it feels unnerving. Because you may not know exactly what is going to happen next in Gone Girl World, but you know it’s not good. I love hearing different people’s theories about the ending—to me that’s the fun of reading a book, when you find yourself imagining the characters even after the book is over, and you find yourselves in debates with friends about it, as if the characters were two people who lived down the street (in the case of Nick and Amy, you’d probably want to relocate…).  Gillian Flynn

She’s right about my not wanting to live near or know Nick and Amy.

What did you think of the ending?

Read my review of Gone Girl – here

Gone Girl by Gillian Flynn

Amy and Nick were the perfect couple, beautiful former New York writers, about to celebrate their fifth wedding anniversary, when the world falls apart and Amy disappears in Gillian Flynn’s psychological thriller – Gone Girl.

Flynn begins the story as a romance – a marriage with some problems. Amy and Nick have moved to Nick’s boyhood home in Missouri after the recession hit and Nick lost his job. Using what’s left of Amy’s trust-fund – from her parents’ popular children’s books series “Amazing Amy” loosely based on Amy’s life –  he opens a bar with his twin sister in a town far away from the East Coast buzz. As the chapters alternate between Nick’s eye-witness account, starting with the day Amy is found missing, and Amy’s journal – backtracking to the day they met – Flynn lulls the reader into what seems to be an innocuous crime story of a missing wife. It doesn’t take long to realize that neither Amy nor Nick are who they seem to be, and that their marriage is no longer an ideal relationship. Both are lying; both have secrets. Flynn dangles the lies and contrives an intricate pattern of malevolence.

When you find out who is telling the bigger lies, the action becomes riveting. Under suspicion for killing his wife (the husband is always the first suspect), Nick faces the wrath of his in-laws, his hometown, and the general public (courtesy of TV talk shows).  Flynn adds a treasure hunt with incriminating letters and Amy’s multiple choice life options (a reference to her former job creating Sunday supplement psychological quizzes) to fuel the action with sociopathic twists and psychological drama.

Then, the story turns – into a fractured “The Talented Mr. Ripley” theme.   The ending is not satisfying; it was creepy and full of malice.  The possibilities that Flynn creates for the future include a morose cliffhanger that would be better left unresolved… a tantalizing study of amorality in characters whom anyone would avoid, if they only knew the truth.