Alexander and the Terrible, Horrible, No Good, Very Bad Day

Lately, it seems it’s a terrible, horrible, no good, very bad day, week, month, and more, but as Judith Viorst would agree, sometimes it is just that way. Reading Peter Baker’s essay in the New Yorker (January 23, 2023) reminded me to look for the humor in those days, even if only looking back at them. The humor always escapes me, as it does Alexander, while in the middle of the muddle.

Judith Viorst’s “Alexander and the Terrible, Horrible, No Good, Very Bad Day” is celebrating its fiftieth year in print, and it might be time to reread it, maybe before you go to bed tonight. The book is short; the plot is spare; Alexander starts his day with no prize in his cereal, no dessert in his lunchbox, falls in the mud, and is forced to eat lima beans at dinner. More horrors ensue, and in the end, the day ends and he goes to sleep, after the Mickey Mouse night light burns out. It was a terrible, horrible, no good, very bad day.

Perhaps you’ve had a few of these lately. I have. You know; those days when you wish you had stayed in bed. But rereading Alexander’s trials made me smile. Not that there is hope that future days will be better; Viorst does not promise that. And, like Alexander, there is not much you can do about it.

Baker notes in his article that after writing about Alexander, “Viorst started a six year study of psychoanalysis, a discipline fundamentally concerned with stories we tell ourselves, and the possibility that revising them might make our terrible days a little less so.” Viorst offers no easy way to deal with such days, saying in the end: “Some days are like that…”

In the meantime, muddling through these days, it might be wise to avoid going to bed with gum in your mouth, a sure sign you will wake up with gum in your hair.

Want to Play Jeopardy?

I found an old crossword from a Children’s Literature class I taught in a former life. The clues reminded me of some of my favorites. The crossword has 32 Across and 29 Down, but how about I give you the answers to ten of them, and you supply the question.

  1. Her surname is Quimby and she is the delightful heroine of a series of books, some set in the 1980s.
  2. The bull who prefers “smelling the roses” to fighting in 1936 book by Munro Leaf.
  3. Mouse dentist who fools fox patient in this 1982 Newbery Honor book.
  4. French mouse who works in a cheese factory.
  5. With the last name of Longstocking, this Swedish tomboy appeared in a 1950 novel.
  6. The adventures of a little girl who lives in a Paris boarding school in 1939.
  7. First name of the orphan girl sent to live at Green Gables.
  8. A young tiger who finally blooms under the watchful eye of his concerned parents.
  9. Number of cats the old couple had in this 1928 picture book.
  10. The title of the 2021 winner of the Caldecott Medal.

If you can’t get them all, here’s your crib sheet – the answers in no particular order:

Who Is -Pippi, Madeline,Anne,Ramona

Who Is – Leo, Ferdinand, Anatole, Dr. DeSoto

What Is – A million, We Are Water Protectors

Natalie Babbitt – “dying’s part of the wheel, right there next to being born”

Natalie Babbitt, award winning author of children’s literature, died Oct. 31 at the age of 84.You may know her book Tuck Everlasting, with Babbitt’s subtle warning about immortality, but have you read any of her others?  

 I plan to remember her with my own binge reading  of:

  • The Search for Delicious
  • Kneeknock Rise
  • The Devil’s Storybook
  • Goody Hall
  • Jack Planke Tells Tales
  • The Something
  • Moon Over High Street

Roald Dahl presented his philosophy of writing at a lecture in 1990. Natalie Babbitt and her wonderful portfolio of children’s books met all the criteria. I will miss her.

“What makes a good children’s writer?

  • must have a genuine and powerful wish not only to entertain children, but to teach them the habit of reading
  • must like simple tricks and jokes and riddles and other childish things
  • must be unconventional and inventive
  • must have a really first-class plot
  •  {tell} stories that contain a threat
  •  {use} new inventions; unorthodox methods; eccentricity; secret information
  •  know what enthralls children: action, suspense, being spooked, finding treasures, ghosts, chocolates and toys and money, magic, being made to giggle, seeing the villain meet a grisly death, {seeing}the hero be a winner
  •  know what bores children: descriptive passages and flowery prose

Your story, therefore, must tantalize and titillate on every page and all the time that you are writing you must be saying to yourself ‘Is this too slow? Is it dull? Will they stop reading?’ …{If your answer is yes}, you must cross it out and start again.”

The Book With No Pictures

9780803741713_p0_v2_s192x300If you ever need a book to read aloud – to a group of children, to a grandchild, to yourself on a crummy day – B.J.Novak’s The Book With No Pictures is the one.

“Here is how books work,” the hidden narrator confides. “Everything the words say, the person reading the book has to say. No matter what.” The (presumably adult) reader is made to sing, emit nonsense sounds, praise the child who is being read to, and say things like “I am a monkey who taught myself to read.”

The book uses words to create effect with no illustrations – not one.  Some of the crazy words remind me of Lily Tomlin’s wild chanting in “Grace and Frankie” – not the kind of sounds usually coming out of a book – but fun to enunciate.  Read it out loud and laugh at yourself.

Raymie Nightingale by Kate DiCamillo

9780763681173_p0_v1_s192x300 Kate DiCamillo abandons her animal friends and creates an unlikely heroine in her newest book Raymie Nightingale.  At first I was disappointed in the trio of ordinary young girls who become friends one summer.  Where was the brave mouse of Desperaux, the china rabbit with a soul in Edward Tulane, the typing squirrel in Flora and Ulysses.

Raymie, Beverly, and Louisiana find each other at a baton-twirling class; all are planning to enter the Little Miss Central Florida Tire competition and each has a reason for needing to win.  Unknowingly, the three have more in common than the contest; each is missing a parent or two and not only trying to cope with the loss, but also yearning to get back to what was before.

Although Raymie never does learn how to twirl the baton, she channels Florence Nightingale from the book her school librarian gave her for  the summer, and finds she can do the extraordinary – save a friend from drowning.  With the help of Beverly’s street smarts and Louisiana’s flighty sensitivity, Raymie gets back her soul.

Animals do appear in the story – a yellow bird set free from its cage, a howling rabbit eared dog rescued from a dismal fate at the animal shelter, and Archie, Louisiana’s back from the dead cat – the unsung hero of the book.  DiCamillo uses them to underline the theme of loss and renewal.

DiCamillo delivers a poignant tale of little girls who are brave and hopeful, but the story is really all about the power of connection and the support of friends from unlikely places and in unexpected ways.  We all need that now and then.

Reviews of Other Books by Kate DiCamillo: