The premise of an old man suddenly finding he has a long lost young relative seems familiar, but Emma Donoghue reframes the possibilities in Akin with a 79 year old retired science professor, seemingly alone in the world, who has decided to revisit his birthplace in France, and an eleven year old street smart boy whose father is dead and mother is in jail. With the backdrop of the French Riviera and Nice, Donoghue weaves a compelling tale of family, friendship, and last chances.
Shortly before he is scheduled to fly to Nice on a nostalgic trip and to celebrate his eightieth birthday, a phone call disrupts Noah’s plans. I had to laugh when Noah assumed the call was a scam, as I would have, but it is really a social worker desperately trying to keep his sister’s grandson from being institutionalized. After a visit to the boy’s mother in jail and an expedited passport, the two are off on an adventure promising to change both lives.
Photography plays an important role in the story. Noah’s grandfather was a famous artist with several of his pictures hanging in museums, and his mother assisted him before the war, even remaining in France after she shipped her four year old son to America as World War II crept closer to their home in Nice. Rummaging through his dead sister’s belongings, Noah discovers an envelope with photographs of the area during the war. Determined to discover more about the time and place, he brings them along on the trip, creating a quest for the two as they travel.
I have been to France, especially Paris and Provence, a number of times, but never to Nice, so Donogue’s thorough description of the area, and its place in history, was fascinating. Although the role of the French in the war has been the subject of many books, I had never heard of the Marcel Network of over 500 Jewish children hidden around Nice and given new names and identities to protect them from the Nazis. Donoghue weaves historical facts into the story but she balances the horrors of war with light and endearing scenes of the Carnival, the circus, eating ice cream, great uncle and grand nephew getting to know each other through small pleasures and unlikely commonalities.
Michael is a tech savvy eleven year old, encrusted with the sadness of having lost everyone dear to him – his father died of an overdose, his mother incarcerated for dealing drugs, his beloved grandmother dead. Donoghue neatly captures his defensive acting out behavior, and softens it with a young person’s reluctant willingness to be awed. His character is a elegant balance to the old man who is prepared for death at any time, and a filter for Noah’s discoveries.
As Noah connects the photos to actual places, he begins to assume the worst about his mother. Was she a spy? Worse, was she helping the Germans? The quest becomes an investigation to absolve or convict his mother.
Although Noah’s longwinded spontaneous lectures get a little tiring, and Michael’s preoccupation with selfies gets a little annoying, the story offers more than a perspective on a strange male bonding. The women in the story evolve from the background to the more important focus. The ending is predictable but their journey is not. Donoghue offers much to consider and discuss – what is family anyway? And what does it take to risk making a commitment?