Women’s Dreams, Decisions, and Defaults

How do choices decide a lifetime?  Two books, sitting for months on my shelf, turned out to be similar in addressing the answer.

The Confession by Jessie Burton

In The Confession, Jessie Burton, the author of The Miniaturist, uses a well-used relationship theme in the lives of two women – one older and famous, the other young and impressionable.  Burton’s story has some of the same elements as Curtis Sittenfeld’s The Thirteenth Tale (one of my favorite books) but lacks the page-turning thrills I craved.

The plot alternates from present day Rose, searching for her mother in 2017 to her mother Elise’s story as a young woman 35 years earlier.  Elise abandoned Rose when she was a baby, to be raised by her father, who claims not to know why she left or where she went. The secret drives the story, as Rose disguises herself to work as an assistant to her mother’s former lover, a famous novelist who has not written in thirty-five years, hoping to discover more.  Both Rose and Elise have no self-confidence as young women, and both seem to be searching for something or someone to take charge of their lives.

Rose finds Joe, a wannabe restaurant owner, and muddles through years of a bland relationship.  Elise finds love with Constance until Connie betrays her with another woman; in revenge Elsie has an affair with a married man and becomes pregnant with Rose. Both have complicated lives, accentuated with decisions which change their futures.

Burton’s agenda for asserting women’s rights becomes lost in the circumstances, but the search for closure kept me reading.  Sadly, Rose only finds her mother peripherally – not very satisfying, but the open ending leaves possibilities.

Mrs. Everything by Jennifer Weiner

Although I’m not a fan of Weiner’s books, this one is signed and had been sitting on my shelf since I missed her author luncheon last year, and it turned out to be a good complement to The Confession.

Mrs. Everything alternates between two sisters, Jo and Bethie (Weiner’s little women), as they grow up in the 1950s era of family values, find their way through the turbulent sixties, until finally landing as adults in suburban Connecticut and a feminist collective in Atlanta.  Elizabeth Egan for the New York Times notes:

Weiner tells the story of the women’s rights movement and the sexual awakening of a woman coming of age at a time when being attracted to women would keep her at the fringes of the world she was raised to join. She opts for the safe route, making unimaginable sacrifices along the way, especially on behalf of her sister, who finds the freedom to live the life they both wanted.

Weiner often cringes when her books are called chick lit or beach reads, and  Mrs. Everything seems heavy on the issues for such a label,

but my next book really is a beach read – says so in the title.  I’ve started reading, and so far, it seems to be a romantic comedy starring Jonathan Franzen and Jennifer Weiner in their famous literary feud. The two main characters are writers, accidentally living in houses across from each other and each has a summer to write a book.  To encourage a new muse in their writing, they agree to write in the other’s genre.  The Franzen character, known in the book as serious Gus, will write a happily-ever-after romance, and the Weiner character, with the name January Andrews agrees to write serious stuff.

Should be fun…

 

Then Came You

Jennifer Weiner puts a new spin on the phrase “It takes a village…” in Then Came You.

Baby Rory has a tribe of mothers:

  • Jules, the egg-donor, a young Princeton beauty who needs the money for her father’s rehab;
  • Annie, the surrogate who needs money for her small family;
  • India, the forty-something mother, hiding a shady past, who is married to the older wealthy father;
  • Bettina, the rich step-sister, who has never recovered from her father remarrying a younger woman.

Each has a separate story that eventually connects when the baby is born, the father dies, the mother leaves town, and the twenty-something step-sister finds herself with custody and needing help.

Then Came You is about women working it out with and for each other in a sympathetic chick-lit drama.  Weiner weaves their stories together, and addresses the emotional issues of each woman through their backstories.  Lots of melodrama and angst – some humor – and an ending that looks like the prime time TV show “Modern Family.”

If you are a Weiner fan, you won’t be disappointed.

Would Jane Austen Tweet?

Aside from singer Roseanne Cash’s creation of the Twitter hashtag #JaneAustenAtTheSuperBowl, it’s unlikely that Jane herself would become addicted to the social media – but then, we’ll never know.  After enumerating the literary feuds famous writers verbally carry on, Jennifer Schuessler in her article for the New York Times, “In Book Circles, a Taming of the Feud,” dissects the Twitter campaigns that novelists wield against each other.

Can you be a fan of Jennifer Weiner and Jodi Picoult, if you know they have been carrying on a Twitter campaign against Jonathan Franzen under the hashtag #Franzenfreude?  Even when you know Franzen is the better writer, Weiner and Picoult books offer a different emotional release that readers need now and then – don’t they know this?  On the other hand, Jennifer Egan, Pulitzer Prize winner, seems a little catty criticizing the chicklit genre in her tweets.   Even a healthy eater needs chocolate now and then.

Eleanor Lipman sent me an email asking me to follow her twitter feed, as she posts a poem a day:

Starting today, I’m tweeting one poem per day (140 characters, natch) of a (partisan) political nature, from now until the 2012 election. They will be rhyming couplets, and, I hope, entertaining.

I discovered I could google “Elinor Lipman twitter” and get to her tweets without joining the ubiquitous network.

Why tweet?  Is it the electronic version of the haiku that can have as many letters as you can fit into 26 words?  Could anyone compete with an Ogden Nash limerick?  In her article, Schuessler says today’s tweeters require that “you don’t think about what you’re saying.”

I have not yet succumbed to the power of the tweet.  For the most part, it’s too hard to limit my idea to 140 characters – does that include commas?  If I did, I might tweet:

 If U want 2 know whatever pops into my head – what I think about anything – and U want my  insights/suggestions, even if I don’t know what I’m talking about -here is my advice

Oops – no more characters left.   Do you tweet?

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