I just finished reading Hannah’s newest book, a tribute to courage and hope during the Great Depression. The Four Winds is not a happy book. It does have its moments, but maybe this is not the best time to read it.
The heroine of The Four Winds is Elsa Martinelli, a single mother of two who, in 1935, heads to California from the Dust Bowl in the Texas Panhandle in search of fresh air for her son, who is recovering from “dust pneumonia,” a then-common ailment on the Great Plains. Just as in Steinbeck’s Grapes of Wrath, leaving the drought-ridden farm does not yield the promised land in sunny California, and her life only gets worse when they reach the San Joaquin Valley, where the family settles into a squalid camp on the banks of an irrigation ditch and become migrant field workers. One of the minor characters (and Elsa’s love interest) is based on American journalist and socialist John Reed. Hannah references his book Ten Days That Shook the World in the story; you might remember a handsome Warren Beatty playing him in the movie Reds.
Dorothea Lange’s
Migrant Mother
Through grit and resilience, and with the help of a friend, Elsa overcomes miserable circumstances, and after pages of despair, Hannah finally ends the story on a sad but hopeful note. Among Hannah’s inspirations are Dorothea Lange’s portraits of Dust Bowl Women. Lange, best known as a documentary photographer during the 1930s, included reports from the field with her photographs. Some of her quotes from people with whom she had spoken make their way into Hannah’s dialogue. “Somethin’ is radical wrong,” one told her; another said, “I don’t believe the President knows what’s happening to us here.” Lange also included her own observations. “They have built homes here out of nothing,” she wrote, referring to the cardboard and plywood “Okievilles” scattered throughout California’s Central Valley. “They have planted trees and flowers. These flimsy shacks represent many a last stand to maintain self-respect.”
Hannah acknowleges her story’s connection to the current global catastrophe in an Author’s Note at the end of the book:
“My husband’s best friend, Tom, who was one of the earliest of our friends to encourage my writing and who was our son’s godfather, caught the virus last week and has just passed away. We cannot be with his widow, Lori, and his family to mourn. Three years ago, I began writing this novel about hard times in America: the worst environmental disaster in our history; the collapse of the economy; the effect of massive unemployment. Never in my wildest dreams did I imagine that the Great Depression would become so relevant in our modern lives, that I would see so many people out of work, in need, frightened for the future.
As we know, there are lessons to be learned from history. Hope to be derived from hardships faced by others. We’ve gone through bad times before and survived, even thrived. History has shown us the strength and durability of the human spirit.”
To Capture What We Cannot Keep – historical fiction with a touch of romance
A Long Way from
The Perfect Couple – murder, mystery and romance in Nantucket
The Magic Hour – a Kristin Hannah melodrama
In Kristin Hannah’s The Great Alone, courage and perseverance battle the threatening elements of the Alaskan frontier in a family saga of the untamed wilderness. Using elements of her own family’s experience in Alaska, Hannah captures the raw beauty in the magnificent stillness as well as the terror of survival in an unforgiving landscape. Much like Ivey’s historical novel – To The Bright Edge of the Word, The Great Alone invokes the forbidding yet beautiful lure of Alaska as well as the fortitude of those who would live there.
The No Charge Book Bunch 