I am usually not a fan of short stories, unless they are by Saki or O’Henry, but my tastes have changed during the neverending pandemic. Laura Lippman’s collection of sassy and wry short stories in Seasonal Work has small bites of reality mixed with humor, and sometimes horror. Just right for the impatient cynic who needs a bit of time being in somebody else’s world – but only for a short time. Lippman notes her stories were written between 2007 and 2019 but her Baltimore settings are often much earlier – before the world turned upside down with the pandemic but also before awareness of language and ideas became more carefully adjudicated.
Lippman offers a peek into the lives of children, a grifter stepfather, a woman in her prime, a book stealer, a con artist, victims who get revenge, a ghost who finally escapes into the light, and more.
One of my favorites is “The Everyday Wife” with references to watching the Watergate trial and The NewlyWed game on TV in the seventies. Judith, the young bored wife, has a mother who calls her every morning to check in. Judith walks the neighborhood and soon discovers its secrets with an exciting event leading to Judith working for NSA. I have a friend who worked for NSA and her response was close to Judith’s when asked what she did: “I can’t tell you…”
Having recently seen the movie “Enola Holmes” about Sherlock’s younger sister who yearns to be a detective like her brother, I had high expectations for eleven year old Sheila Locke-Holmes in Lippman’s collection. With “Harriet the Spy” as her tutor, Sheila snoops but accidentally uncovers a piece of her father’s past in her mother’s jewelry box. The ending has a poignant lesson in growing up.
The collection is divided into four sections, with three stories in each section. The last section has “Slow Burner,” about a cheating husband, a suspicious wife, and an extra cell phone. The last story, “Just one More,” the only story updated to today, is set during the pandemic. Amazing what people will do to stay entertained during lockdown.
All the stories feature strong women and follow the O’Henry model of ending with a surprise but more in keeping with Edgar Allan Poe. In some cases, you will know it is coming, but others are unexpected.
A great colllection of short stories. I thought I might just read one and come back later, but I found myself looking forward to the next and the next, until I’d read them all. But, beware, if you are looking for a cozy mystery, Lippman does not go there. Revenge and murder are more her style.
One of my favorite books by Laura Lippman is “Sunburn” – here’s my review from when it was first published in 2018:
In Sunburn, Lippman keeps the reader off balance, acknowledging as the story opens that Polly Costello has killed her abusive husband and abandoned her two girls, one disabled with cerebral palsy. Nevertheless, Polly seems to be a sympathetic character – her life sentence is pardoned by the governor, and she wins an insurance settlement against the hospital where her disabled daughter was born. The handsome private detective, hired by a crooked insurance salesman for his share of the money, falls in love with her. Will he turn her in or run away with her? Lippman’s clever twists are not that simple, and she maintains the suspense – juggling the good guys and bad guys, and flipping intentions back and forth with another murder in the middle of it all. It’s fun to read, and the ending is a satisfying surprise I did not predict.
If you remember Laura Lippman’s Sunburn, you will recognize the same venue – Baltimore – and a similar woman in crisis manipulating the suspense in her new novel – Lady in the Lake. Lippman calls this a newspaper novel, using real sources for credibility, while imagining an attractive thirty-something woman’s climb to popular columnist, deftly using the bodies she finds along the way to further her career.
In The Dry, the brutal murders on a farm bring federal agent Aaron Falk back to the town where he and his father were banished years earlier when Aaron’s friend was found drowned in the river. When Aaron returns for the funeral of his best friend and his family, he uncovers raw wounds the town has never forgotten, and suspicion that he was responsible for the girl’s death twenty years earlier. Mysteries around the all murders seem connected, and as he stays to investigate, the story leads him to surprising revelations about the people he thought he knew. The villain is cleverly concealed until the very end, and not one I suspected.
In Sunburn, Lippman keeps the reader off balance, acknowledging as the story opens that Polly Costello has killed her abusive husband and abandoned her two girls, one disabled with cerebral palsy. Nevertheless, Polly seems to be a sympathetic character – her life sentence is pardoned by the governor, and she wins an insurance settlement against the hospital where her disabled daughter was born. The handsome private detective, hired by a crooked insurance salesman for his share of the money, falls in love with her. Will he turn her in or run away with her? Lippman’s clever twists are not that simple, and she maintains the suspense – juggling the good guys and bad guys, and flipping intentions back and forth with another murder in the middle of it all. It’s fun to read, and the ending is a satisfying surprise I did not predict.
A Short Summary of the Plot from Harper Collins:
The No Charge Book Bunch 