Miss Austen

Just as an unedited email or fast tweet might came back to bite you today, letters in the nineteenth century (snail mail) could be documents of dread for the writer.  Famously protective of her sister, Cassandra Austen burned all of Jane Austen’s correspondence after her death, spinning her own legacy for future Janeites, without contradictory proof available in writing.  In Gill Hornby’s Miss Austen, the author offers a fictional spin on how those letters might have changed future generations’ perspective on a beloved author.

Cleverly combining well known facts of Jane Austen’s life with imagined secrets and opinions conveyed through private letters, the author offers an undocumented but very possible view of Jane Austen’s personal life.  Alternating between Cassandra and Jane’s lives as young adults, secure in the family parsonage, and their later trials after their father dies, as unmarried women dependent on their brothers’ goodwill to house and support them, Hornby reveals women’s dependence on marriage to sustain them in that era. Jane, of course, became the exception, bringing in her own income as a writer and dying in her forties, but what fears and insecurities really haunted her?

Cassandra lost her opportunity for the good life when her fiancée Tom Fowles died before they could be married.  Unlike her sister, she lives on into her sixties and in this story, she is visiting Tom’s family, in search of Jane’s old letters.  She knows the letters reveal private details of both their lives as well as her sister’s moodiness; she remembers how scathingly critical of others Jane could be.  In the wrong hands, Cassandra is convinced the letters will change the legacy of Jane Austen, and not for the better.  Eventually, she finds the letters tied in blue ribbon.  As Cassandra rereads the letters, she relives past moments of both their lives, wondering if she made the right choices, and finally revealing Jane behind the public facade.

The imagined lives are entertaining and charming, and Horby writes in the Jane Austen style of Regency era literary England, carefully giving the dialogue intelligence as well as wit.  Fans of Jane Austen novels will appreciate the slow-moving narrative, with references to her novels as she wrote them.

Austen’s Persuasion has a special place in Hornby’s story, motivating me to reread this tale of renewed love after all seemed lost.  In Miss Austen, Isabella finally finds happiness with a Doctor, only after her father, who thought him socially inferior, dies.  Isabella is the niece of Cassandra’s late fiancé Tom Fowle. Isabella’s brother, a local clergyman has recently died, and she has to vacate the home she shared with him. Suddenly, Isabella seems without prospects or a place to live, and the correspondence hidden away for years will be unearthed with packing for the move out of the parsonage. Cassandra is visiting supposedly to help with the packing, but her real motivation is to find those letters.  All ends well with Isabella marrying her secret love, and Cassandra finding the letters.

If rereading Jane Austen’s novels gives you some comfort these days, you might try Gill Hornby’s Miss Austen.  The story can gently carry you back to Jane Austen’s time with a realistic twist and a few bon mots to sustain you.

And if you cannot get enough of speculating about Jane Austen, try:

Dear Edward

After reading Ann Napolitano’s essay ” Dear Me ” in the Sunday New York Times, I was intrigued by her idea to write letters to her future self.  Since her new novel has the salutation Dear Edward, I expected one of the characters in the novel to do the same – write letters to himself to be read in the future. i was wrong; letters do play a prominent role in the novel but from others to the main character, Edward.

In her novel, now on the bestseller list, Napolitano examines the coming of age of a twelve year old boy who is the lone survivor of an airplane crash.  All other passengers (191) including his parents and older brother die.  In her afterward, the author explains how she was inspired by a real story of a commercial flight from South Africa to London crashing in Libya in 2010 with only a nine year old boy surviving.  Her survivor is Edward who is relocating with his parents from New York City to Los Angeles.  Jane, his mother, is sitting in first class to finish the script of a movie she has been hired to edit, while Eddie is with his father and teenage brother in the back of the plane; Eddie has the window seat.

The reader knows early in the story about the crash and the author deftly maneuvers between the countdown to the inevitable in the plane cabin and Eddie’s new life with his aunt and uncle.  Watching Eddie  through his physical recovery, his metal anguish and survivor’s guilt, and his adjustment to his new life is not always easy but getting to know the passengers in first class with Eddie’s mother and in coach with his family has its merits, as long as you can forget they are all about to die. Eddie’s interaction with them is superfluous and fleeting yet their lives have a significant impact later when he receives letters from their relatives and friends.

Napolitano notes her writing is about “how we can make a meaningful life in the face of a devastating loss.”   Her scenario is extreme but we probably all can relate to someone who has managed to survive the unexpected and carry on successfully with the new normal in their lives.

I still like Napolitano’s idea of writing to herself in the future; letters can be powerful in a world where they have been replaced by faster electronic communication.  I may write a letter to my future self; I just hope I can remember where it is in five years.

 

See the Movie, Then Reread the Book – The Guernsey Literary and Potato Peel Pie Society

8110V2WqqLL   After finishing reading The Guernsey Literary and Potato Peel Pie Society years ago, I remember thinking how sad the author had died and I would never read another of her stories.  The book stands as one of my all time favorites, and I eagerly anticipated the film version with three actresses from Downton Abbey in the cast – Lily James and Penelope Wilton, and Jessica Brown Findlay — perhaps better known as Downton Abbey’s dearly departed Lady Sybill.

Of course, I remember the feeling of the book but, as usual, I’ve forgotten all the details.  It was a pleasure to read it again after almost ten years.  If you haven’t seen the movie yet, see it first – then reread the book.  Both are enjoyable and a comfort.

The movie and the book are the same, but different.  Of course, the book has all of the author’s quirky notes and asides required to be missing in a condensed film version, but the movie has lush images of the scenic English countryside to compensate, and it does select the most important moments to keep.  Although the book introduces the characters through letters, fewer appear in the movie and the letter-writing is replaced by getting Juliet to the island faster.  In the movie the description of Guernsey under occupation has less importance than the mystery of the missing Elizabeth – the fearless founder of the book club.

The characters retain their core values and tone but not always in the same form.  Handsome boyfriend Mark is an American publisher trying to woo Juliet away in the book; in the movie he is an American intelligence officer, still trying to get her to marry him, but a key role in finding Elizabeth is invented for him.   Romance gets more time in the movie, making the handsome staunch Dawsey more appealing for the happily ever after ending.

I missed the funny episode with Oscar Wilde’s letters to Granny Phhen and a few of the colorful characters who were eliminated,  but I’m not sure how the short movie could have accommodated them without a sequel. I liked the movie (how could I not) and appreciated its faithfulness to the story.

Rereading the book was a pleasure, and I found a few phrases I had forgotten  – some made me laugh:

  • I thought of my friends who own independent book stores with:   “Noone in their right mind would take up clerking in a bookstore for the salary, and noone in their right mind would want to own one…so it has to be a love of readers and reading that makes them do it.”
  • I thought of myself with:  ” so far my only thought is that reading keeps you from going gaga. You can see I need help.”
  • I thought of book clubs with: “We took turns speaking about the books we’d read. At the start, we tried to be calm and objective, but that soon fell away…”

and my favorite:  “I deny everything.”

Related Posts:

Dear Mrs. Bird

dear-mrs-bird-9781501170065_lg   When I heard The Guernsey Literary and Potato Peel Society book was soon to be a movie, it motivated me not only to read the book again but to read Dear Mrs. Bird, a book with a similar vibe. The books have a lot in common – letters, Britain, World War II, romance, and characters I would pick as friends. 

Young women in Emmeline Lake’s time usually tried to keep busy until they were married, and her best friend and flat mate, Bunty, does just that as she works as a secretary in the war office.  But Emmy has hopes of becoming a brilliant journalist and when she answers an ad for The London Evening Chronicle, she expects to be on her way to war correspondent.  To her surprise, the job is no more than typing for the paper’s Dear Abby, a huffy overbearing woman who would rather cut up letters sent to her than respond.  Her advice, when given, is harsh and unforgiving – not at all as sympathetic as her readers’ hopefully expect.

As Emmy begins to surreptitiously answer some of the more earnest enquiries, she gradually moves the advice column into a better place, until she gets caught.  The story includes vignettes of romance and correspondence with a promising beau and Emmy’s erstwhile social life, but Pearce does not shy away from describing the horrors of the bombing in London.  She deftly weaves the characters’ strength into a frivolous plot as they bravely survive everyday in a blitzed city while managing to keep hope and aspirations alive.

If you enjoyed Guernsey and other similar books (The Storied Life of A.J. Fikry, 84 Charing Cross, The Summer Before the War), Dear Mrs. Bird will be a pleasure to read.

 

To the Bright Edge of the World

9780316242851_p0_v5_s192x300    Eowan Ivey’s To the Bright Edge of the World had me remembering the startling blue of the icebergs and the crisp cold of the Alaskan air when I visited several years ago. Ivey’s story is based on the actual 1885 expedition of Colonel Allen Forrester, and references diaries and letters from the exploration of the newly acquired Alaskan Territory as the foundation for a compelling epistolary novel.

The real Forrester explored over a thousand miles of wilderness and become the first to chart the Copper River, leading an expedition as significant as Lewis and Clark’s.  The novel uses the imagined letters of Colonel Forrester to his wife, Sophie, as well as his formal accounting of his findings as he travels the unexplored Wolverine River area in Northern Alaska with a small crew.

Forced to remain behind because of her pregnancy, Sophie keeps her own journal and sends letters to her husband.  When she miscarries, Sophie, a former schoolteacher with a penchant for studying birds, purchases a camera, and embarks on her own expedition to capture pictures of nesting birds in the woods surrounding her home at Vancouver Barracks in Washington.

As Allen Forrester suffers starvation, disease, and bitter cold traveling through uncharted Territory, he also discovers the power of the local culture, and Ivey weaves old otherworldly legends into her tale, treating them with respect and awe.  The women with feathers growing out of their wrists, calmly washing clothes by the river full of geese; the old medicine man with the black hat who can fly and transform into a raven who steals Sophie’s hair comb; the monster in the river who almost kills one of Forrester’s men – all add flavor to the steady reporting of the mundane as well as the explorer’s  battle with the unforgiving elements of nature.

Ivey grounds the story in the present by creating a fictional descendant of Forrester, Walter, who is seeking a home for the artifacts and papers he has inherited.  Walter is getting old, and has started a correspondence with Josh, the museum curator in  Alaska, who has agreed to digitize the papers and establish an exhibit. Through Josh, Ivey offers pictures interspersed through the narrative, and updates on the current political and environmental turmoil.  Ivey muses on the power and beauty of Nature, and comments on the disconnect between preserving the culture of the past while moving on with demands of the present.

“How can we say this person is valued less or more, is better or worse, because they are a part of one culture or another, and why would we want to?”

To the Bright Edge of the World combines adventure, history, and romance with discovery – not only of forbidding new land but also of inner truths.  As a reward for both Allen and Sophie, as well as for the reader, Ivey projects a fictional continuation in the ending as the couple continues to explore – both plausible and satisfying.  A fellow reader suggested this book would be both engaging and uplifting – she was right.