After a fun discussion of Paula Hawkins’ wild mystery The Girl on the Traintoday at one of my book clubs, we all wondered how Emily Blunt would portray the voyeur Rachel as an ex-pat in New York City riding the train in her old neighborhood. Many of us agreed this Hitchcockian thriller was a book made for playing on the big screen. The movie comes out in October. If you haven’t yet read the book, the surprise ending will really be a treat for you.
Other books to movies to watch for:
JoJo Moyes’ tear jerker Me Before You comes to life in June.
Roald Dahl’s The BFG (as in the big friendly giant who eats leftover oatmeal from your dirty dishes) is in theaters on July 1st.
Although the story of the kidnapped baby, the distraught parents, and the misery when the child is discovered and returned has been told before in Jacqueline Mitchard’s The Deep End of the Ocean – M.L. Stedman offers her “ocean” tale with an Australian twist in The Light Between Oceans. With the same unnerving trauma, this story adds spectacular descriptions of the lighthouses along the western coast of the continent and life in post-war Australia.
The story opens with the romance of a young bride, Isabel, and Tom, a returning World War I soldier with a new job as the lighthouse keeper on an isolated island; their lives on Janus Rock seem idyllic. The outside world intrudes only every three months when the supply boat delivers essentials to their outlying post. But three miscarriages and no hope of a family crush their resolve, until a boat washes up on their island with a dead man and a live infant girl. Their decision to bury the man quietly and keep the infant as the replacement for Isabel’s dead baby is the catalyst for the slow unraveling of their lives. The deception works because they are isolated on their Rock and can forget the existence of the world outside.
Struggling with misplaced loyalty to his wife and the realization that he has destroyed the life of the real mother, a woman he inadvertently rescued when he first sailed to Australia, Tom follows his unconscious need to be discovered and leaves clues that trigger the investigation. The misery that follows for baby Lucy and her mothers is predictable, but Stedman injects some suspense with the possibility that Isabel will betray Tom for revenge.
In the author’s words for an interview with the Sydney Morning Herald:
“There is something that appeals to the human psyche about lighthouses because of their isolation…The story throws up the role of isolation on morality…Perhaps it’s easier to fool yourself when you cannot see the face of those who are affected by what you do.”
Although the ending is maudlin, the story and the setting are nonetheless captivating.