A Single Rose

In a rare interview, French author Muriel Barbery explained her love of Kyoto – a love beautifully revealed in her latest book – A Single Rose. Barbery noted:

“…we have long been lovers of Japanese culture and since we moved to Kyoto, a town that we are head over heels in love with, our feelings for this country have been confirmed. Our fascination began mostly as an aesthetic one, and has remained so: we are fascinated by the ability to create pure beauty, at the same time refined and pure; the kind of thing you see in the slow, sweet sumptuousness of Ozu’s films, in the splendor of the Japanese gardens, in the discreet sophistication of ikebana … It has had us under its spell for over ten years. And we are still at the dawn of our discoveries … But what we also love about Japan, without negating its somber and terrible face, is its repertoire of behaviors: the subtle politesse, the sense of security that results from social solidarity, a very special form of candor, as well. We don’t know how long these things can resist the infernal spirals of the contemporary world, but for now they make life here incredibly sweet and civil.”

A Single Rose tells the story of forty- year old Rose, who travels from France to Kyoto for the reading of her estranged Japanese father’s will. The story reads like a meditation with descriptions of gardens and temples, interspersed with notes on culture and folklore. The plot is simple snd predictable, but Barbery’s strength is transporting each reader to his or her own reflective inner world.

A short but worthwhile read, the book offers some quiet solace in these times of turmoil and uncertainty.

Whereabouts

A sense of accomplishment is overwhelming me. I donated three large boxes of books ( my covid year of reading) to the Friends of the Library this morning, and it wasn’t easy. After driving past a guard gate and through a tunnel, and stopping to ask a few masked strangers, I finally found the donation pallet described in their email among a warehouse of boxes. I just hope someone finds mine.

I’m reading Jhumpa Lahiri‘s new book “Whereabouts.” She is among my favorite authors and she reached a higher rung on my authors to emulate list when she moved to Italy to study the language and translate books. It’s been over ten years since “The Namesake,” and I was anxious to get lost in one her stories again.

But “Whereabouts” has no plot like her other books. Following a middle-aged woman’s thoughts and observations “on the couch, on the balcony, in bed…” was mundane at first and unclear where it was leading. Lahiri wrote the book in Italian and translated her words to English. Being somewhat biased by my own Italian heritage, I love the flow of the Italian language, and l appreciated the phrasing and descriptions she offered in translation. Sometimes a sentence would offer a window into my own world – “feeling reassured but also dazed by the outside world.”

As the short chapters evolve into a retrospective of her life, the narrator seems to emerge from complaints and despair of the past, and begins to appreciate the present. In the end, she has received a fellowship and is traveling to an unknown country for a year of study. The last short chapter shows her with a mix of hope, anxiety, and anticipation, leaving this reader a little befuddled but nonetheless satisfied.

NPR says “Whereabouts” is the literary equivalent of slow cooking; it demands patience.”

I bought a signed first edition of this book and I plan to reread it now and then. It will not be going to the library warehouse.

Man Booker Prize Shortlist 2018

The six books making the cut for the Man Booker shortlist this year include two American authors – Rachel Kushner for “The Mars Story,” set in a California women’s prison, and Richard Powers for “The Overstory,” about nine strangers trying to save one of the world’s last virgin forests.

The rest of the list includes:

  • Washington Black” by Canadian Esi Edugyan, based on the true story of the relationship between an eleven year old enslaved boy and his master’s brother who flee a Barbados plantation.
  • Irish author Anna Burns’ “Milkman” – told in the voice of a young woman forced into a relationship with an older man during the Northern Ireland conflict.
  • Scottish poet Robin Robertson’s “The Long Take” – the first book selected for the Shortlist in verse, follows a World War II veteran with post-traumatic stress disorder as he travels across the United States.
  • British Daisy Johnson, the youngest author ever shortlisted for the Prize, updates Greek myth in the tragic story of a lexicographer looking for her mother in “Everything Under.”

The winner of 50,000 pounds will be announced October 16.

I’ve read SNAP from the longlist and have “Washington Black” and “The Overstory” on my to-read pile, but I may skip the others. Do you plan to read any before the winner is announced?

Related Review: SNAP

Prequel to Jane Eyre – The Wide Sargasso Sea

214fjjbbskl-_ac_ul160_  In her prelude to Charlotte Bronte’s Jane Eyre, The Wide Sargasso Sea, Jean Rhys offers the backstory of the first Mrs. Rochester, the madwoman in the attic who destroys Thornfield Hall and herself by fire.  Although the book was published fifty years ago, Rhys’s story is a good reminder the classics have hidden secrets: critical analysts sometimes refer to Bertha as Jane’s alter ego.  After seeing the book on a list of favorites by a fellow reader, I decided to reread this short book and found myself quickly caught up in its fervor.

 In Part One, set in Jamaica, Antoinette, the Creole daughter of a white slave owner, later called Bertha by her English husband, tells the story of her sad childhood. Lonely and rejected by her mother, and running wild after her father dies, she lives in poverty until her mother remarries.   She survives the fire set by an angry mob of locals, destroying her childhood plantation home and driving her mother to madness, and is sent off to a convent. When she is seventeen, her fortune attracts a tall, second son of an Englishman, with no inheritance of his own. Antoinette has a sense of foreboding and imagines she cannot escape her fate.

Part Two begins with Antoinette’s husband narrating the honeymoon, soon to be interrupted by a strange letter revealing the horrors of Antoinette’s background.  Never feeling comfortable in the tropical surroundings of his wife’s home,  Rochester now becomes cold and distant. In a sad and pathetic moment, Rhys has Antoinette enlisting  the voodoo magic of her childhood caregiver to remedy her situation. But her fortune now belongs to her husband, who wants to return to England.

In Part Three, Antoinette’s perspective returns, though she is now living as the quarantined Bertha in Thornfield’s drafty attic.  This section is the shortest, cleverly connecting to Bronte’s book.  Nowhere in the text of her novel does Rhys mention Rochester by name, but she clearly connects to him in the end, as Bertha dreams of setting fire to Thornfield and ending her miserable life.

In Jane Eyre, Bertha raves and screams, but in The Wide Sargasso Sea, Rhys gives her a voice.   In Rhys’s novel, she is the victim of oppression, treated as if she were a ‘white cockroach’ by her family’s black servants, and rejected by Rochester.  Like Jane, she had her own dreams.

The Wide Sargasso Sea won the Cheltenham Booker Prize in 2006.  The Cheltenham Prize, created as a companion to the Man Booker, identifies who might have won the Prize if it had existed a century earlier. For a list of the winning books, click on Book Awards: Cheltenham Booker Prize.  You might find another old book worth a second read.  

The Man Booker Baker’s Dozen

Unknown The anticipated Man Booker Longlist announced today has a few familiar titles but some books are not yet published in the United States.  Thirteen books made the prestigious list.

Paul Beatty’s The Sellout, a satirical assessment of racism in the United States, tops the list.  The winner of the National Book Critics Circle Award, Beatty’s novel uses a Jonathan Swift premise in his character’s modest proposal to bring back segregation and slavery.

Four other American novels on the list include Pulitzer Prize winner Elizabeth Strout’s My Name Is Lucy Barton.  The author of Olive Kitteridge and The Burgess Boys, Strout returns with a short but powerful novel as she tells the story of suffering and relationships.

Ottessa Moshfegh’s suspenseful tale, Eileen, also examines a lonely woman – this one works in a boys’ prison.  Virginia Reeves uses the setting of prison – this one in Alabama in Work Like Any Other, and David Means’ Hystopia imagines a third term for former President John F. Kennedy.

From the United Kingdom, another mother-daughter relationship is explored in Deborah Levy’s Hot Milk,  Graeme Macrae Burnet’s psychological thriller His Bloody Project looks for motivation behind a murder, Ian McGuire’s The North Water has a suspenseful journey of a  ruined doctor volunteering on a whaling ship, and Wyl Menmuir’s The Many has a strange mystery in a coastal village.

The Schooldays of Jesus from Australian Nobel prize winning author J.M. Coetzee will be published in the United States in February, 2017.  David Salzay’s All That Man, set in Prague,  will be published in October, 2016.

Canadian Madeleine Thien’s Do Not Say We Have Nothing centers on the Tiananmen Square protests of 1989 China. From the United Kingdom, A.L. Kennedy’s Serious Sweet offers “a day in the life of London lonely hearts.”  Both are not yet released in the United States.

Thirteen books to digest before the committee proclaims the short list in September, and the winner in October.