The Man Booker Shortlist

Not surprisingly, my favorite among the thirteen books long listed for the Man Booker Prize did not make the cut.  The six shortlisted this year:


9781250083258_p0_v5_s192x300 9781620406694_p0_v3_s118x184 9781510719217_p0_v1_s118x184 9781594206627_large_eileen_draft-211x320 9781555977535_p0_v2_s118x184  9780393609882_p0_v1_s192x300

  • The Sellout – a satire of race relations, reintroducing slavery in Los Angeles
  • Hot Milk – a daughter copes with a hypochondriac mother
  • His Bloody Project –  the story of a seventeen year old boy who committed a brutal triple murder in the Scottish Highlands 
  • Eileen  A lonely young woman working in a boys’ prison outside Boston 
  • All That Man Is – collection of nine stories about men in different stages of life
  • Do Not Say We Have Nothing – a young woman who has fled China and the Tiananmen Square protests

My record is low.  I read and reviewed only one on the list – Eileen;  I left The Sellout unfinished, and am slowly making my way through Hot Milk.    

According to the Man Booker Prize announcement, two of the finalists hail from previous  publishing house winners.  OneWorld who published The Sellout, also published last year’s winner A Brief History of Seven Killings, and Granta, the publisher of Do Not Say We have Nothing also published the 2014 winner, The Luminaries.  Only one author has been nominated before – Deborah Levy in 2012.

The winner will be announced in October.  

My favorite?  Read my review of The Many.



The Secret River

9781841959146_p0_v1_s192x300   Kate Grenville takes the well-known history of Australia as a penal colony for the British in the eighteenth century and humanizes the past with a story about William Thornhill as he tries to create a new life in The Secret River.  Capitalizing on the hard lives and harsh conditions of the displaced prisoners, as well as the treatment of the Aborigines, Grenville’s story has the stark realism of colonial hardship and the cruel misery of Wounded Knee.

After being convicted of robbery and condemned to death, William is granted leniency and his life sentence is to be served in Australia with his wife and boys.  As hard as life has been in England, life in Australia at first seems poor compensation for being saved from hanging.  But Thornhill rallies, works hard, has more babies, and eventually decides to move away from Sydney into the Outback to claim land and begin a better life farming and adding to his thriving riverboat business.

As he connects with others like him, prisoners sent to serve out a sentence, Thornhill stands out as a basically good man among thieves.   Saggity  and Smasher Sullivan, former convicts, are determined to get whatever they can from the land and its first people.  Their attitudes are horrifying.  Smasher keeps an Aboriginal woman chained as his sex slave and participates in the sale of Aboriginal body parts.

Thornhill’s mentor, Blackwood, another river man, helps him establish his new place and tries to advise him how to coexist with the Aborigines.  The relationship  between the Thornhills and the savages is built on fear, but Willam’s son, Dick, born in Australia, plays with their young children and learns from their elders.

The Aborigines, having learned to live off the land, now see it stolen from them.  When they take Thornhill’s corn crop, the shaky truce escalates into a battle and eventually results in a massacre.  As the book ends, however, with Thornhill ten years later looking back on the turning point resulting in his power over the land, his victory seems shallow, and his regrets destroy any real chance of his feeling content.  After taking away the place the Aborigines still call home, as they silently roam the still undeveloped parts of the Outback, Thornhill realizes he now belongs nowhere; he inhabits someone else’s land, unable to return to his poor life in England and merely reconciled with his new life.

An informative story while at the same time providing a gripping commentary on the effects of colonialism, The Secret History deserved its place on the shortlist of the Man Booker Prize in 2006.  Its message has been repeated in a television mini-series in 2015, and a 2013 play, recently revised by the Sydney theater Company in 2016.