Should We Stay or Should We Go

At the beginning of the vaccine distribution, I was inordinately miffed at somehow being classified as too young to be vaccinated. Having overcome my umbrage, I found Lionel Shriver’s Should We Stay or Should We Go had me considering old age again. Although the author is 64, she uses 80 as the marker for the beginning of being “really old.”

When her father dies after a long and debilitating illness, Kay Wilkinson can’t cry; she is relieved. Determined to die with dignity, her husband Cyril makes a proposal. To spare themselves and their loved ones such a humiliating decline, they should agree to commit suicide together once they’ve both turned eighty – end it all before it gets any worse. A medical Doctor, Cyril has access to Seconal and neatly places the pills in a black box in the refrigerator, to be washed down with a good wine when the time comes.

Although the subject matter is morbid, Shriver uses Gallow’s humor to good advantage. I knew by page fifty there was not a simple solution to the dilemma of Kay and Cyril when the chapter title “The First Last Supper” promised more adventures to come. Shriver creates a parallel universe in alternate chapters, showing how their decision on that fateful birthday could resolve. If they cut their lives artificially short, what might they miss out on, or what horrors might they escape?

Shriver cleverly creates thirteen chapters of scenarios, including surviving cryogenics, being hit by a bus, using long-term health care to live at the London version of the Ritz old folks home, contrasted nicely with no health care and living on the government dole at a place right out of “Over the Cuckoo’s Nest.” And she addresses the “five-minutes-to-12 syndrome” – the temptation to hang on until it’s too late, and lose the opportunity to decide anything. Sometimes it’s good to stay, sometimes it’s better to leave.

Some chapters have them leave; others have them stay, and Shriver, an American writer living in London conveniently connects the Leave or Stay to the Brexit vote. Later, the Covid pandemic shows them in two versions of lockdown, one in dire straits of near hunger and isolation, the other living so well they are reluctant to rejoin the fray after quarantine is lifted. Shriver also tackles the future of immigration and its unexpected effects on the old couple.

The topic is becoming popular: Roz Chast humorously addressed it in her New Yorker style cartoon book – Can’t We Talk About Something More Pleasant, and Derek Humphry’s 1991 self-published Final Exit: The Practicalities of Self-Deliverance and Assisted Suicide for the Dying, was on the New York Times bestseller list for over four months. Katie Engelhart’s 2021 book, The Inevitable, is about people determined to exercise control over their own deaths.

And yet, most of us will put up with anything rather than die. Shriver notes that most think “If they ever do die – not that most people believe in their heart of hearts that they ever will – they’ll be wise, warm, funny, and sound of mind until the very end, with doting friends and family gathered round.” But it doesn’t always work out that way.

My mother, who died at 94, after a life of never going to the hospital except to give birth, and 5 last days of slow decline, told me – “Noone wants to leave the party.” Shriver would caution – make sure there’s still a party.

At times disturbing and even gruesome, Shriver’s sardonic wit provided enough comic relief to keep me reading, and her ingenious possibilities kept me wondering what would come next.

Chances Are…

Do you have a friend you haven’t seen in years, yet when you finally get together, you fall into a comfortable conversation as though you had seen each other just yesterday?  Good friends are like that.

In Richard Russo’s Chances Are... three college friends reunite on Martha’s Vineyard after years apart, and find they connect as they had years earlier, with an easy camaraderie but haunted by the ghost of the woman they all loved.  The old Johnny Mathis song in the book title creates the theme for Richard Russo’s latest story of relationships as Lincoln, Teddy, and Mickey struggle through a long weekend of memories and surprising revelations.

I always imagine Paul Newman as one of Russo’s character, reprising his role in the movie adaptation of Russo’s “Nobody’s Fool.” None of the three main characters in Chances Are seem to have Newman’s charisma but together they present a dazzling composite.  Lincoln is a successful realtor in Las Vegas, who has inherited the house on Martha’s Vineyard from his mother, and is now considering selling it. Teddy is owner of a small publishing house in upstate New York, who suffers from debilitating episodes.  Mickey, who went to Canada for a few years to avoid the Vietnam War draft, is a musician living on the island.

As their pasts are revealed, fathers figure prominently in their influence, all strangely different for each man, from Lincoln’s strict Calvinist father who tolerated no one, to Teddy’s pseudo intellectual father who had no time for anyone, to Mickey’s father of a large family who expected his youngest child and only son to follow his lead.  But the key character and major influence on the three college boys who bonded over working as hashers in a sorority house on campus was one of those sorority sisters – Jacy.  A seemingly free spirit, Jacy was the mascot to their group – their fourth Musketeer.

The mystery of Jacy’s disappearance years ago provides the suspense as the story evolves around the discovery of what really happened.  Russo delivers a surprising solution in his big reveal at the end of the novel, but the satisfaction of reading how each man developed and maintained a sense of community overwhelms the finale.

Russo, with acerbic wit and irreverence balances stories of his characters coming of age after college with their inevitable struggles as they are entering old age years later when they meet again. Their bond seems to have been the girl but Russo confirms they still have a strong connection beyond their youthful adoration of Jacy. They were there for each other as young men and Russo refreshes their connection years later.  Can their friendship last after all the secrets are revealed? Chances are their chances are awfully good…

Five Unrelated Books to Get Through the Winter

images  As February slams the country with icy winds and snow, my part of the world stays relatively warm, with only rain and wind interrupting the sunshine.  Although most locals welcome the opportunity to wear their sweaters and jeans, the tourists strip down to muscle shirts and shorts, rightfully thinking sixty degree weather is warm compared to the below freezing climes they left.  Suggestions for reading around the fire, sipping hot chocolate are moot here.

I have a list of books helping January blend into February, listing them below before I forget I read them – have you read any?

The Collector’s Apprentice B.A. Shapiro

Another mystery by Shapiro with art suffusing the narrative.  I connected with Shapiro when she wrote The Art Forger, and then The Muralist.  I always look forward to her next thriller.  In this one, I found myself researching the art pieces stolen – from Picassso to Matisse, one of my favorite artists.

Happiness: A Novel by Aminatta Forna

Don’t be fooled by the title, happiness is elusive in this compelling novel of two unlikely connections who collide in London – Jean, an American woman who studies the habits of urban foxes and a Ghanaian psychiatrist, Attila, specializing in refugee trauma. Attila has arrived in London to deliver a keynote speech on trauma and to check up on the daughter of friends who hasn’t called home in a while. He discovers she has been swept up in an immigration crackdown and her young son Tano is missing.

Jean joins him in his search for Tano, mobilizing her network of fox spotters. mostly West African immigrants: security guards, hotel doormen, traffic wardens. As the search continues, Attila and Jean reveal the true nature of happiness in a world where everything is connected.

The Reckoning by John Grisham

A family secret haunts a small town in post World War II Mississippi, as Grisham addresses race and war trauma in his latest thriller. The story begins with the decorated war hero, Pete Banning shooting the town’s Methodist minister and refusing to explain his motive.  The major clue is his sending his wife to an insane asylum for her nervous breakdown.  The big reveal comes in the last pages. A quick read, and I was tempted to skip to the end.

The Red Address Book by Sofia Lundberg

In the style of popular books by Patrick (The Curious Charms of Arthur Pepper) and Rachel Joyce (The Unlikely Pilgrimage of Harold Fry), this translation of Lundberg’s story focuses on an old character, in this case a 96 year old woman.  Unlike her counterparts in other novels,  who seem to be getting more lively as they get older, Doris is alone and confined to her home, with only a weekly Skype session wit her grandniece, caretakers who come and go, and the memories triggered by the names in her little red address book. Doris is writing her memoir, and each name in the address book creates a short chapter revealing an adventure in her life   Soothing and cozy –  best read with a cup of hot chocolate near a fireplace.

The Harvard Psychedelic Club by Don Lattin

Prompted by a recent article in the New York Times, I looked for this ten year old book set in the nineteen sixties with one of my favorite healthy eating advocates, Dr. Andrew Weil, as the focus.  This nonfiction narrative explores the relationship of Timothy Leery, Richard Alpert, Andrew Weil and Huston Smith   Full of surprises – Well wrote his undergraduate thesis on “The Use of Nutmeg as a Psychotropic Agent – the book reveals not only the connection of these four men but also witty observations of their influence as they grow from university researchers to future gurus.  In his 2010 review for the New York Times, Dwight Lanier captured my thoughts on the book:

“I’d be lying… if I said I didn’t enjoy just about every page of “The Harvard Psychedelic Club.” This groovy story unfurls — chronicling the lives of men who were brilliant but damaged, soulful but vengeful, zonked-out but optimistic and wry — like a ready-made treatment for a sprawling, elegiac and crisply comic movie, let’s say Robert Altman by way of Wes Anderson.”

Say Something Happened and The Country Wife

bud-clipart-mp3_player_blackAs I listen to British radio plays on Audible, I pretend I am walking the streets of London, hearing familiar voices intoning the accent – and laughing out loud with a favorite British author.   The plays are short enough to hear in a sitting – or, if I am motivated, on a short walk.

Say Something Happened

Alan Bennett’s short radio play on Audible – Say Something Happened – confronts the same difficult topic in audio as Roz Chast attacked in cartoon form in Can’t We Talk About Something More Pleasant?    

June Potter, a trainee social worker, visits an elderly couple to collect information for a government survey on old people.  Of course, the couple have their own opinions on being old, and turn the tables on June, offering her advice on how to improve her life.  A few sad moments reveal their relationship with their children, and when June asks who would take care of them – say something happened – it’s clear they only have each other.  June’s solution to the problem is hilarious in its typical government approach.

With Bennett’s flair for humor, this short piece will have you laughing and crying, as he addresses the dilemma of growing old.

Related Review: Can’t We Talk About Something More Pleasant?

 

The Country Wife

This seventeenth century Restoration play  by William Wycherley has Maggie Smith playing the title heroine,  with wry asides and bawdy humor.  Listening to the subtle innuendo, it’s easy to imagine her in a role she made famous on the British stage as Mrs. Margery Pinchwife.

Harry Horner, a rakish bachelor, pretends to be impotent to gain the trust of his fellows and access to their wives.  When newlywed Margery Pinchwife comes on the scene, the action gets fast and furious with disguises and fast exits – as funny as a Marx Bothers movie.  Margery is dissatisfied with her stuffy husband, and tries for a second husband.  You need to listen carefully to catch all the complicated twists, but, even if you miss a few, Maggie Smith will keep your attention.

The Buried Giant

9780307455796_p0_v1_s192x300The New York Times “Paperback Row” recently featured Kazuo Ishiguro’s fable of an old man and woman as they travel their last journey together in The Buried Giant, triggering my search for the book.  Although the story is set in post-Arthurian England, when the Anglo-Saxons conquered the Britons, this strange tale with ogres and dragons holds analogies for today.

As the story follows Axl and Beatrice’s journey to find their son,  they meet a knight, a warrior, and a young man – all on a quest to kill the dragon.  The dragon’s breath, under a spell by Merlin, has obscured all their memories of the past – most of all, the horrors of war and the bitterness between the Saxons and the Britons.  Although the story reads like a fairy tale, Ishiguro, whose Remains of the Day won the Man Booker Prize, numbs the reader into wondering about the simplicity of the characters and the plot.  At times, Monty Python’s “Spamalot” seemed to seep into the dialogue.  And the universal historical amnesia almost becomes universal hysterics.

When Axl and Beatrice meet a boatman along the way, he advises them about the final journey of death each must make across the water alone.  Only a few make the journey together in the same boat; those who can prove to the boatman that their love is perfect and true, without bitterness or jealousy or shame, can cross the water together. They are determined they will do so, despite what the clearing of the amnesia-producing mist might help them recall about infidelities and cruelty to each other. They need to remember their past, but they are afraid of what those memories might bring them.

James Wood, in his comparison of The Buried Giant to another of Ishiguro’s books for The New Yorker, focuses on the mist that takes away memories, both good and bad.

“The mist functions, then, a bit like one of the possible replies to the great question of theodicy: to reduce or eliminate suffering, free will would have had to be reduced or eliminated. Yet if we recoil from actual suffering, we also shudder at the prospect of a world without the freedom to do good or bad.”

Maybe so, but the elderly couple was my focus, and their interaction to each other as they grew older and frailer along the journey.  They have reached the age when their minds hold only a fog of memories – names, people, and milestones in their lives are no longer clear.  In the final chapter Ishiguro reveals who Axl and Beatrice really are and where they are really going.

I had hoped for a happy romantic ending but Neil Gaiman’s review for the New York Times said it so well:

“…no matter how well we love, no matter how deeply, we will always be fallible and human, and that for every couple who are aging together, one or the other of them — of us — will always have to cross the water, and go on to the island ahead and alone…”

The final scene left me with a sense of melancholy and brought me to tears.