Having finally finished Sarah Bakewell’s At the Existentialist Cafe (taking almost as long as reading The Splendid and the Vile), I found myself happily ensconced in an easier path to philosophical thinking with Allie Brosh’s Solutions and Other Problems. If you have read her first book, Hyperbole and a Half, you will recognize her cartoonish characters combined with serious thinking. I like books with pictures but tend to shy away from graphic novels. Brosh, on the other hand, offers her heavy insight mixed with a light touch. It was easy to transfer Bakewell’s evaluation of Sartre to Brosh’s world of grimly smiling characters.
Brosh’s book is full of her own story as she navigates through her sister’s suicide and her traumatic health scare and includes a plethora of sublime and funny vignettes from childhood through her thirty year old self (notice I did not say adulthood). She draws herself as a frog-eyed and neckless stick figure with a blonde shark fin of a ponytail protruding from her head. She explains why:
“There are a lot of distracting things about humans,” she says. “There are ways we’ve learned to interpret each other, based on all these outside clues. Drawing myself in this spastic, animalistic way allows me to communicate more directly about the things I’m trying to talk about without using this confusing [human] vehicle as a medium.”
Her style works to simultaneously provoke humor and pathos, drawing the reader into funny situations with thoughtful outcomes. Brosh adds her quirky art to a humorous angst reminiscent of David Sedaris talking about his childhood or his favorite pants. Allie Brosh transforms simple stories about her cat, her childhood, and her anxiety into humorous lessons. Some are just laugh out loud funny but others will have you connecting to your own experiences.
Best of all, by exposing her own idiosyncracies, worries, and insecurities, she gives the reader the freedom to admit to some too, and, in the end, become your own best friend. Maybe Solutions and Other Problems was not written to draw us out of our social distancing doldrums in a pandemic, but reading the book sure does a good job of it.
The last line in the book:
Because nobody should have to feel like a pointless little weirdo alone. Especially if they are.