When asked about the meaning of his famous poem The Road Not Taken, Robert Frost claimed readers were making too much of his simple teasing of his friend Edward Thomas over his deciding where to go on their many walks. But readers have disagreed and made Frost’s lines an anthem for the role of choice in life. Poems, after all, are to be interpreted, and that interpretation has a range of possibilities. In Celeste Ng’s “Our Missing Hearts,” Margaret Miu’s poem about a pomegranate becomes the battlecry for a revolution.

An uncomon and reluctant heroine, Margaret becomes a rebel and a catalyst for finding children taken from their parents because of the new law to preserve American Culture and Traditions. How rewarding to find it is librarians who facilitate her underground network.

Ng has a clear message, cleverly incorporating anti- Asian hate crimes as the scapegoat for the future country’s economic and social decline (the Crisis) with incidents that could have been ripped from current headlines. And the recent proclivity for banning books becomes a focal point of Ng’s alert about where it could lead. She is clearly warning; pay attention, or “the dusk will become dark” without anyone noticing.

Ng’s story is also one of grief and nostalgia – for better days, for loved ones gone. My favorite line:

“Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?”

And a call to action:

“Listen. Somewhere, out there, saying to others at last: Listen, this isn’t right.”

In her Author’s Note Ng notes her inspiration in both books and incidents, historical as well as recent. She ends citing:

“Timothy Snyder’s “ On Tyranny” was a powerful reminder about how quickly authoritarianism can rise (as well as what can be done about it), and Václav Havel’s classic 1978 essay “The Power of the Powerless” changed my thinking about the impact a single individual could have in dismantling a long-established system. I hope he’s right.”

You could read the book two ways, just like a Robert Frost poem. Take it literally as a “dystopian story about a 12 year year boy and his quest to find his mother.” Or consider Stephen King’s review in the New York Times claiming it is a “dystopia uncomfortably close to reality.” Either way, “Our Missing Hearts” has Ng’s riveting storytelling talent, and a tale well told that you will remember.