Ms. Demeanor

Elinor Lipton is one of my favorite writers and her latest novel Ms. Demeanor adds to her collection of quirky fun stories. The book started with a scene reminding me of actor Matthew McConaughey being arrested for playing bongo drums on his own balcony – naked. Like McConaughey, Lipton’s heroine Jane is arrested for being naked on her balcony. The story just gets more hilarious.

After being convicted of indecent exposure with a fellow lawyer on her rooftop terrace, Jane has her law license suspended for six months, is fitted with an ankle monitor, and confined to her apartment building in New York City. When her accuser, a prim spinster with binoculars from the building across the street dies suddenly, Jane becomes a murder suspect.

The romance in the story involves Perry, who has received a similar sentence and ankle bracelet for concealing a tea pot lid at the famous auction house where he was an art handler. Luckily, both Jane and Perry live in the same building, and use their six month confinement to fall in love.

Lipton inserts a variety of funny foils to keep the story moving, including Jane’s recipes on Tik Tok, wealthy Polish immigrants with expired visas, and a possible murder in a penthouse. Lots of fun, with twists and turns leading to a happy ending.

Nora Goes Off Script

Formula romances are the Hallmark of a favorite streaming movie channel, and you may have wondered, as I have, who writes these happy ever after romantic comedies, always ending in a chaste kiss. In Nora Goes Off Script, Annabel Monaghan’s heroine not only writes the scripts, she lives them.

In a comedy that follows the formula, Nora meets the handsome hero, a movie star who decides to stay in her backyard tea house to get a taste of how real people live. Of course, he gets involved with the local school play; they fall in love; he leaves to film another movie. After a surprise misunderstanding is revealed, they all live happily ever after.

To keep it timely, she wins an Oscar for her writing, accepting in her six inch heels.

A fun diversion when you need it – just like watching one of those movies.

Rebecca is Haunting the Airwaves

A good movie at the end of the day seems to have become a routine. The remake of  Roald Dahl’s The Witches is coming to HBO in time for Halloween, and other scary movies I’ve watched lately include The Trial of the Chicago Seven and David Attenborough: A Life on Our Planet on Netflix, but last night I watched Lily James and Armie Hammer in the Netflix remake of Daphne du Maurier’s Rebecca, a classic scary movie.

James is a little too beautiful for the frumpy second wife Du Maurier wrote about, despite her clunky shoes and baggy sweaters, and Armie Hammer is too young and debonair for the cold, older, reticent aristocrat of the novel, but, oh, they are so good to watch together on the screen,  The steamy scene on the beach reminiscent of Burt Lancaster and Deborah Kerr’s famous scene in From Here to Eternity would never have happened in the novel, but I’m glad it was in the movie.

I wondered at the Netflix ending and spent an hour trying to find a free version of the novel on Gutenberg to compare.  When I read Rebecca, I remembered the Gothic overtones and the feeling of ghostly despair haunting the ending; noone was living happily ever after.  Netflix cures this authorial intent with another steamy bedroom scene, but offers a nod to the possibilities with Lily James crazy stare into the camera at the end.  If you didn’t know the novel, you might think all was well and Rebecca’s ghost was still swimming in the deep.  The movie was good, but, as always, the novel was better – give it a try – you can listen to it, complete with eerie music  – here.

Although true to the novel in most scenes, the romantic ending might be better for viewers in this virus ridden world.  After all, we already have a specter to fear and resist; who needs another one.

Simon the Fiddler

Reading Paulette Jiles’ Simon the Fiddler was like a quiet meditation at first, which is probably just what I needed.  I read slowly, taking in the author’s poetic style, the bits of song interspersed in the narrative, her all encompassing descriptions of the wild land from Ohio to Texas in post Civil War America.   If life seems difficult now, imagining those old times with yellow fever and impossible living conditions, had the unexpected side effect of an appreciation for today’s modern progress, such as it is.

Despite the pull of Confederate  conscription, the misery of military camps, and later the task of making a living as a musician, Simon is an optimist and a realist.  Coming from hardscrabble beginnings in Kentucky, he is determined to use his talent to make a good life for himself.  After the war is over, he manages to pull together a quartet, who with borrowed clean white shirts, follow the music from his violin to entertain – for money.

When Simon meets Doris, an Irish immigrant and indentured servant to a Union officer, he falls in love.  Through years of secret but limited correspondence, as she travels to San Antonio with the officer’s family, and he makes his way through Galveston playing his fiddle to save money for land and a wife, they form a bond until they finally meet again.  During this sojourn, Jiles slowly reveals the beauty of the land and its challenges.  Simon’s confrontation with an alligator is a highlight.

Finally, the action begins with Simon and Doris reunited in San Antonio, with romance sizzling as Doris plays the piano and Simon his fiddle. The story takes on a thrilling pace – intrigue, secret meetings, threats – culminating in a confrontation in a bar, ending badly.  All seems lost at the end – Simon in jail accused of murdering a man, the violin destroyed, and Simon beaten and wounded – from slashes to his gut to crushed knuckles.  And Doris?  Could she escape the Colonel’s sexual advances?

All ends well, thank goodness, because by this time I had invested a lot of time in Simon.  But the ending is not all sunsets and roses.  Jiles’ last notes are:

He saw all the hard road before them unrolling like a scroll and their names there,  for better or for worse, written in the Book of Life.

And so, life goes on …

After reading and enjoying Paulette Jiles’ News of the World, I had some expectations for her new book.  But this book is longer and slower moving; for a while I wondered if anything would happen, but the descriptions, the language. and the music kept me going.  And, it was worth it; Jiles delivers a moving tribute to pioneers’ determination and grit.  Not all were farmers and ranchers – some were fiddlers.

Review: News of the World

The Fountains of Silence

In The Fountains of Silence, Ruta Sepetys unpeals the layers of horror inside Francisco Franco’s Spain.  His dictatorship lasted over 30 years, while Europe turned a blind eye and the United States made deals to profit itself, often at the expense of Spain’s poorer citizens.  Within the context of a Spanish family still suffering the consequences of the 1930’s Civil War in 1950, and a young American blissfully ignorant in his bubble of wealth and privilege, Sepetys writes a story with sound historical notes.

Photography and romance wield strong influences on the young hero, eighteen year old Daniel Matheson, when he returns to Madrid to visit his mother’s homeland with his Texas oil baron father.  The newly constructed Hilton creates a backdrop for privileged American businessmen and their families, while the underbelly of the building keeps the secrets of the impoverished locals who serve as maids and bellboys.  Daniel falls for Ana, the hotel maid assigned to his family, and through her discovers the hidden world of Franco’s Spain.

Sepetys periodically inserts letters and speeches with quotes from real sources, providing a provocative perspective on how the American government and capitalist leaders forgave fascism to do business with Franco’s regime. The well researched details brought Franco’s Spain and its people to life, while reflecting greed, political corruption, and the determination to overcome them.

At the heart of the story is an ongoing mystery. Babies are separated from their parents at birth and redistributed as orphans to be adopted by more “desirable” families.  Daniel becomes inadvertently involved in the intrigue and tries to use his photojournalism to stem the corruption before he returns to Texas, but without success.

The ending jumps to twenty years later, with Franco dead and  Daniel returning to Spain with his younger sister.  The finale is both romantic and nostalgic, with hopes for a promising future for both the characters and the country finally resurrected from years of oppression.

This was a time and place I knew little about, and I found it an easy way to learn history, while enjoying a love story with a happy ending.