Just As Good the Second Time I Read It

Sometimes I get tired of being the one who is responsible; it often means I get stuck doing everything myself. My mother told me to ignore little imperfections and let others do some things for me, but it isn’t easy. I’m working on it, and sometimes people surprise me.

In Megan Abbott’s Give Me Your Hand, Marie Curie lurks in the background as the model for two responsible girls who aspire to make a difference in the world of science, and would rather do it themselves. Kit Owens doesn’t realize her full potential until she is challenged by the seemingly perfect new girl in class, Diane Fleming. Best friends and competitors, the two rise to a final challenge when they meet again as adults, and then their worlds explode.

Secrets challenge the reader’s expectations, and Megan Abbott writes in the same vein as Ruth Ware, with complicated characters and twisting plot notes. Lots of murders dot the landscape, and the story is scary.

When I started to read this book, I thought I had read it before; pieces seemed familiar Sure enough I found I had reviewed it last year, but I had forgotten the plot and how it ended. Has that happened to you?

The Turn of the Key by Ruth Ware

Another delicious Gothic murder mystery by the author of The Woman in Cabin 10 and In A Dark Dark Wood, The Turn of the Key has Ruth Ware’s trademark twists and enough suspense to keep you reading through the night.  If you are familiar with Henry James’ Turn of the Screw (available for free from Project Gutenberg), you will know the similarity in the titles is no accident.

Both novels revolve around a caregiver of children – a governess in James’ 1890 story and a nanny in Ware’s.  Both involve ghosts – real or imagined – wreaking havoc on the surroundings, and both lead to the revelation of whether or not the caregiver is guilty of murder.  Both are scary.

Ware sets her story in an updated Victorian smart house with an automation system controlling lighting, climate, entertainment systems, and appliances and a sophisticated home security system, but she cleverly maintains the Gothic aura by keeping sections of the house, especially the creepy attic and the overgrown garden, in old-fashioned mode. Setting the story in the Scottish Highlands helps too.  Both James and Ware knew a threatening house must have a past, preferably with a murder or two to stir the possible malevolence instilled in its walls.  The death of a child figures prominently in both stories.

The protagonist in The Turn of the Key, the nanny, is writing a letter from prison to solicit the help of a well-known attorney.  As she tells her side of the story, the reader suspects she is an unreliable narrator, but Ware keeps the story off balance by creating circumstances showing she might be innocent.  The big reveal at the end of the story identifies the murder victim and the murderer – and it caught me by surprise.

Ruth Ware has been compared to Agatha Christie and Wilkie Collins (author of the Woman in White), but her modern Gothic tales amazingly update the eerie and mysterious, translating the thrills into today’s world.  A smart house with computer glitches can be scary.  She always delivers a good story with a surprise ending, and I can’t wait for her next one.

The Turn of the Key is due for publication in the United States on August 6th.

 

 

The Death of Mrs. Westaway by Ruth Ware

51C4xxzWsHL._AC_US218_A fortune for a fortune teller? Ruth Ware returns with another mystery thriller to keep you reading through the night in The Death of Mrs. Westaway.

Hal’s life has been most unfortunate with the hit and run death of her mother and the loan sharks threatening to knock out her teeth if she cannot make more money reading tarot cards on the pier. Suddenly, her luck changes when she becomes heir to her grandmother’s fortune. But wait; it’s not really her grandmother – or is it?

Ware weaves a page turning adventure within a Gothic setting. As the interloper in a family of brothers who had expected to inherit the estate, Hal finds herself in the middle of family drama and resentments, and the deceased Mrs. Westaway seems to be stirring the pot beyond the grave. The housekeeper, Mrs. Warren, is the Mrs. Danvers character right out of du Maurier’s Rebecca – cold, creepy, and tyrranical, and the perfect foil to Hal’s timid second Mrs. de Winter who finally finds her courage.

Although the resolution is obvious long before the ending, and the villain is not a total surprise, The Death of Mrs. Westaway is great fun for fans of Ruth Ware. I enjoyed the distraction.

The Lying Game

shopping-1   Ruth Ware is back with another quiet and tense thriller – The Lying Game.  With an eerie Gothic setting, human bones found near a boarding school, and a group of schoolgirls who made lying an art, Ware creates a murder mystery with enough red herrings and sudden reveals to keep the reader wondering about the girls’ secret. In a clever twist of plot, the crime seems to be revealed early in the book, but the wary reader will be justified to hold back judgment.  Everyone is lying after all – even the author.  Not as riveting as Dark Dark Wood or The Woman in Cabin 10, but The Lying Game has Ware’s steady hand as she mystifies and teases; the ending is almost an afterthought as the secrets unravel; a great book to read on a dark and stormy night.

Review of Other Ruth Ware Mysteries:

 

The Woman in Cabin 10

9781501132933_p0_v3_s192x300   Sometimes a scary novel is a welcome alternative to reality, and Ruth Ware has the right formula in The Woman in Cabin 10.  On the eve of the big political debate in the United States, with the two prospective Presidents ready to attack each other on live television, I found myself avoiding the front pages and the review sections of the New York Times, glancing at the arts section and opting instead to read Ware’s book – on the bestseller list now for weeks.   Starting slowly with a burglary and escalating quickly into a mystery thriller on an elite ocean liner, The Woman in Cabin 10 successfully delivered me from real political moments to a solvable mystery.

Although the narrator, journalist Lo Blacklock, fits the role of unreliable narrator with her alcoholic stupors, panic attacks, antidepressants, and general wide-eyed fawn caught in the headlights persona, the author’s description of the setting makes Blacklock’s accusations seem plausible.  You almost expect a dead body to come floating up from the depths of the ocean.

“When I got to the door that opened to the deck, a wall of gray greeted me behind the glass, blanketing the ship in its folds so you could barely see from one end of the deck to the other, giving a strange, muffled feeling.  The mist had brought a chill to the air, fogging the hairs on my arms with drizzle, and as I stood uncertainly in the lee of the doorway, shivering and trying to get my bearings, I heard the long, mournful boom of a fog horn.”

Blacklock is convinced a woman has been thrown overboard on her first night at sea, and suspects passengers, including her ex-boyfriend, as well as the crew.  Her story seems to be the traumatic aftereffect of the burglary in her apartment the night before she sailed; no one is missing on the ship, and clues that appear only to Blacklock could be dismissed as her imagination or hysteria.  Was there ever a woman in Cabin 10?

To add to the confusion, Ware inserts missives projecting forward to the end of the cruise, but in the middle of the action and as Blacklock continues with her narrative – news, after the cruise has docked, proclaiming the disappearance of Blacklock from the ship and the finding of a dead woman’s body washed ashore.  The reader knows Blacklock is still alive because her narrative continues and the next shock will give you Vertigo.  No spoilers here but let me know if you get my reference after you read the book.

In a combination of Agatha Christie and O’Henry, Ware manages to tie up all the loose threads at the end of the book and provide a surprise ending.  A great read – fast and furious, I read it in a sitting – thankfully, not before I went to bed.

As for the great debate tomorrow, now I know it can’t be as scary nor as satisfying as Ruth Ware’s The Woman in Cabin 10.

Related Review:  In a Dark Dark Wood