Rooftoppers

Do you play the cards you’re dealt or reshuffle the deck, hoping for a better deal? 9781442490581_p0_v3_s260x420In Katherine Rundell’s Rooftoppers a little girl refuses to believe her mother has drowned; her faith, courage, and determination are rewarded as she searches for her mother along the rooftops of Paris.

When a cruise ship sinks in the middle of the English Channel, Charles Maxim, passenger and scholar, rescues a red-haired baby afloat in a cello case. He names her Sophie and fights off the London social workers who would send her to an orphanage. On her twelfth birthday, after Charles is threatened with jail if he does not give Sophie to the authorities, Sophie discovers a plaque with a Parisian address inside the cello case. Convinced her mother is still alive, Sophie and Charles flee to Paris and the adventure begins.

With the help of Matteo and a small band of clever homeless children with street smarts, Sophie roams the rooftops of Paris, listening for the sounds of her mother’s cello and challenging authority . The adventure and the ending are improbable, impractical and wonderful.

Although targeted to middle schoolers, Rundell’s tale has those intelligent asides that adult readers will appreciate. As I read, I noted some of her astute phrases that I hope to use at an appropriate moment:

“I’m afraid, I understand books far more readily than I understand people. Books are so easy to get along with.”

“Money can make people inhuman. It is best to stay away from people who care too much about money, my darling. They are people with shoddy, flimsy brains.”

And, my favorite new word:

“A murmuration. When the sea and wind murmur in time with one other; like people laughing in private…”

Entertaining and clever – Rooftoppers can be enjoyed at any age.

The Girl You Left Behind

9780670026616_p0_v1_s260x420JoJo Moyes latest book – The Girl You Left Behind – has it all – intrigue, romance, historical World War I setting, the French countryside, even art – with references to Matisse. Charming and suspenseful, the story uses the painting by artist, Edouard Lefevre of his red-haired wife, Sophie, to link two love stories – one set in wartime France, the other in a modern war of provenance.

When the Kommandant, who has occupied Sophie’s hotel with his enemy troops, takes an interest not only in her husband’s portrait but in Sophie herself, the picture becomes a negotiating tool for Edouard’s freedom. Years later, Liv Halston finds herself in the middle of a court battle to keep the picture that gave her comfort when her husband died prematurely. Moyes cleverly builds in a back story of wartime drama.

A friend recommended this book, and I happily lost myself in the story, but – even better – the references to Matisse, one of my favorite artists, reminded me of my recent visit to the Matisse exhibit at the Albertina Museum in Vienna.