The Invisible Life of Addie LaRue

In making a Faustian deal, an eighteenth century young woman escapes an arranged marriage. But the devil is in the details.  

Addie LaRue gets her freedom and her wish to be her own person, even gaining immortality, but no one she meets remembers her.  In The Invisible Life of Addie LaRue, V.E. Schwab cleverly spans three centuries across Europe and the United States in a time travel fantasy examining the value of a legacy.

Addie initially struggles through the hardships of suddenly being without family or any means of support, but she does have her freedom, including the ability to steal what she needs and being instantly forgotten for doing it.  She makes it through the plague (not the current one), fashions herself into a well-read and astute thinker when women were not expected to do more than marry and bear children.  As she gallops through the centuries, her accomplishments are bittersweet because no one knows about her, forgetting her almost instantly.  Later, this talent to reintroduce herself to the same person gets a little strained.

Known by her seven freckles resembling  a galaxy of stars across her face, she discovers she can make her mark through others as artists use her as their muse. She fills art and music with the memory of ideas she has planted. Her devil appears occasionally over the years to taunt her with difficulties but she is never willing to surrender her freedom and her soul.

Suddenly, after 300 hundred years, she finds a soulmate in Henry, a bookstore owner who has made his own deal with the devil.  To her surprise Henry does remember her, and for the first time she can hear her real name from her lover. Although Schwab nurtures the romance, true love really does not lie with these two characters.  Addie’s true love is her freedom and, despite the devil’s machinations, she finds a way her to leave her mark and be remembered.

As I finished the story, with its unlikely and clever ending (I won’t spoil it for you), I remembered my own much shorter journey so far, and the marks I’ve left behind.  Like Addie, most have morphed into an amalgam of pieces leading to others’ adaptations.  The ideas I created may not have the same name, but most are still viable and progressed with the times, as they should.  Yet, we all want to be remembered.

Caitlyn Paxson for NPR said: “Addie LaRue manages to pull off like the prestige of a particularly elegant magic trick, leaving us with the feeling that we too have been a part of Addie’s long and invisible life. I for one will most certainly remember her.”

So will I.

 “Strive not to be a success but to be of value.” Albert Einstein

Before the Coffee Gets Cold

Imagine you are in a small theater (not likely these days).  On the stage the scene is set like  Edward Hopper’s painting Nighthawks; small and dark with a woman in white seated at the end of the counter.  The setting stays the same and a small cast of characters come and go in four scenes.  Crucial to the plot – a time portal carrying the time traveler back to an important event or conversation they want to rectify within the minutes before their coffee gets cold.

Toshiikazu Kawaguchi’s short novel was originally a play in Japanese, and it is easier to read if you imagine it still is.  The themes of regret and anger are tempered by the possibilities of hope and change in the future, and these days we could all use a lesson in hope.

The novel is told over a series of small vignettes, each revolving around a specific trip one of the regulars of the cafe takes.  The stories follow a theatrical setup – single location and only a handful of characters.  Forgive the awkward translation and be open to the message.

What would you do if you could travel back in time for only a few minutes – until the hot steaming coffee poured into your cup got cold?  This premise connects four chapter stories with related characters who each have different motivations to see their worlds again in the past.  The cafe, named Funiculi, Funicula, has the reputation of being able to transport willing customers to another time, but only if the rules are followed.  Only one seat in the cafe serves as the vehicle, and it is usually occupied by the same patron absorbed in reading her book; the woman in white fiercely guards her territory and only leaves her seat to go to the bathroom. She is, in fact, a ghost who did not follow the café’s most important rule – to finish drinking before the coffee gets cold.  The time ravelers may only stay a short amount of time before being whisked back to their own time, but if they fail to drink the coffee before it gets cold, they will join the ghostly chorus.

A married couple, Kei and Nagare, are the current owners, while Nagare’s cousin, Kazu, a university student, helps out when she’s not in school. Regular customers include: businesswoman Fumiko who is desperate to be more open and vulnerable during her last meeting with her boyfriend Goro before he relocates to the U.S., nurse Kohtake wants one more opportunity to talk to her husband Fusagi before Alzheimer’s made him forget too much – including her. Bar owner Hirai needs to talk to her younger sister Kumi, whom she’s been avoiding for too many years. Finally, co-owner Kei, who is pregnant, bends the rules to go into the future to meet her unborn child.

Each chapter ends on a bittersweet note with the time traveler returning to the present, knowing it has not changed.  And yet, Kawaguchi does offer a change of perspective to each from their brief experience reliving a past moment; they return with renewed hope for the future. Perhaps reworking a significant turning point in the past would not change the present, but recognizing its impact can affect the future and how we live in the present.

Kazu notes at the end of the book,

“No matter what difficulties people face, they will always have the strength to overcome them. It just takes heart. And if the chair (the time portal) can change someone’s heart, it clearly has its purpose.”

I made myself a cup of coffee to time how long it took to go cold.  Not long. Better “Drink the coffee before it gets cold.”  No time to waste.

 

The Midnight Library by Matt Haig

Today is Scott Bakula’s birthday.  You may know this actor in the crime drama he plays on television, but back in the early nineties he was a time traveling scientific wonder, jumping from life to life in the serialized show Quantum Leap.  Matt Haig uses this construct to create an entertaining story in The Midnight Library.

The heroine, Nora Seed, is so despondent and dissatisfied with her life, she sees no reason to live.  Cue the angel in the Jimmy Stewart classic, It’s a Wonderful Life, and Ms. Elm, the kind and generous librarian who manages the midnight library, appears with a trove of books documenting Nora’s life and regrets as the stacks precariously slide along the ethereal walls.  Before she dies, Nora has the chance to be in lives that might have been, and the adventure begins.

Who hasn’t wondered about the ‘road not taken,” life decisions leading to inevitable consequences.  What if another choice had been made?  How would a different decision have affected your personal life, your career, your impact on others, your contribution to the world?  We can only speculate, but Nora gets the chance to really experience the results of other choices she might have made.

The book of regrets reminds Nora of what she might have done, and she starts a series of quantum leaps through the universe, reliving her life as a successful rock star, wife of a pub owner, glaciologist fighting a polar bear, revered author and professor, married, unmarried, with children, without children – the possibilities are endless but Haig sticks to just enough detours to convince the reader that Nora is probably happiest back in her old life.

And like the song, “Back in Your Old Backyard,” Nora finds herself seeing the life she has as not so bad, with still time for constructive changes.

The Midnight Library offers some respite from reality, and a reminder to be grateful for what we have, no matter how dire the circumstances.  

 

The Scribe of Siena

Unknown-3Melodie Winawer creates a compelling adventure with time travel back to medieval Italy in The Scribe of Siena – history, romance and art mingle with an historic mystery.

Beatrice, a neurosurgeon from New York City inherits a thirteenth century mansion when her brother, a medieval scholar dies suddenly in Siena, Italy.  Soon after she arrives to settle her brother’s estate,  she discovers the journal of the fourteenth century artist, Gabriel Accorsi in her brother’s research paper, and finds her own face in one of his paintings.  Suddenly, she is mysteriously transported to Siena in the year 1347, months before the Bubonic Plague is about to eradicate the city.

Yes, there is romance; yes, the heroine knows more than she can tell; and yes, the parallel between worlds is conveniently accommodated with much of the fourteenth’s century’s inconveniences sublimated.  Yet, despite the trite plot underpinnings, Winawer manages to create a captivating tale full of well-researched historical trappings.  Most of the story takes place in fourteenth century Italy when medieval life was primitive, with Church and art providing respite from the misery of everyday life.  Italian paintings from the Middle Ages were darkly mystical, and Winawer uses this artistic mysticism as the conduit between the modern world and a mysterious 700 year old conspiracy to destroy the city of Siena.  Political intrigue with the Medici family offers a sinister subplot, threatening Accorsi’s life as well as the possible extinction of Siena’s population.

When Beatrice meets Accorsi, of course she falls in love, but her new medieval life also offers her a chance to reinvent herself as she works as the city’s scribe, creating contracts, recording lists, even writing a copy of Dante on parchment.  Winawer creates a strong character – a brilliant neurosurgeon clearly in charge of herself but also with empathy for her patients – who manages to maneuver the unexpected difficulties of her new environment.   Although Beatrice does conveniently revisit the present in time to be saved from the Plague by modern antibiotics, clearly her heart is in the fourteenth century where she eventually finds a new life.

If you are missing the swashbuckling adventure and time travel back to another century of Diane Gabalon (Outlander) or Deborah Harness (Discovery of Witches), try Melodie Winawer’s The Scribe of Siena.  

Related Review:   Discovery of Witches

 

 

Shadow of Night

Modern witch Diana Bishop and her vampire lover, Matthew Clairmont, are back in Deborah Harkness’s Shadow of Night. Diana and Matthew, scientific creatures who research DNA and alchemy in the new world, time travel back to merry Old England’s Elizabethan Age to hone Diana’s witching skills and look for the elusive book – Ashmole 782 – that started the tale.

Harkness cleverly manages the time differential with threads weaving through the magic, and delivers as much adventure, mystery, romance – and fun – as she did in A Discovery of Witches, her first book in this All Souls trilogy. If you are a fan of sixteenth century English literature, you will marvel at the literary luminaries that Diana meets – Christopher Marlowe and Shakespeare’s “Hamlet” will never be the same.

As a recognized scholar and continuing student of Elizabethan London, Harkness adds details that create the clothing, manners, and rivalries of the Old World better than any Renaissance fair. Scientific inquiry is a major catalyst in the plot, and Harkness sets the record straight on who invented the telescope, sending me to google Galileo and Thomas Harriot.

Like the first book, this one is long and complicated with plot twists and surprises.

Read A Discovery of Witches first, if you can – check out my review here

It’s going to be a long wait until the third book’s final installment, but Hollywood is already planning the movies.